The idea of equally indentifying Humbert as a poet is taboo but by using literary evidence, it is possible. The day Humbert ventured to the Haze residence, Lawn Street, Humbert the lunatic arrived instead.
Meanjin, Vol 70 No 4 December Sally Heath ed The seventy-one-year-old literary journal Meanjin is looking elegant and rejuvenated since Sally Heath took over as editor in This is the third edition she has edited and the second Dreaming with lolita essay enjoy the new design makeover.
White paper stock and clear typeface, use of blank space at the head of each pages used for notes in red where necessary and elegant cover design are all welcome improvements.
As for the content, the editorial choices are not significantly changed. An imprint of Melbourne University Press, Meanjin still feels scholarly. The preferred genre is the essay, dealing not just with literature but with broader social, political and cultural issues. The first pages of the page journal are devoted to essays, punctuated by the occasional poem.
This starts out as a personal point of view but soon becomes submerged in an analysis of the constitution that reads remarkably like a government report. Instructive for those involved in the debate, but too academic for the rest of us. Heath is one of several editors who have had to grapple with the problem of how to preserve Meanjin in the digital age.
The print version needs to attract subscribers and bookshop buyers and may need culling in the essay section, with the extra material available online. In the current issue, the essayists seem to have the freedom to expound their viewpoints without being restricted to a word limit or edited for clarity.
This gives a fine platform for academics who want to publish their papers to the wider world, but is bound to alienate more general readers who come to Meanjin for its literary content. It is usual for readers of such journals to be selective about the pieces they read, but there is little editorial guidance for the reader to make such a selection.
After wending its way through myriad methodologies, the essay ends predictably with a paradox.
Artists Christopher Hodges and Tom Carment have a more fluent writing style. Along the way, Camakaris makes intriguing references to related topics such as game theory and the concept of fairness. One of these topics could have made a stronger focus for the essay. The switch to examining climate change does in fact rekindle the argument and leads to a clear call to action.
With so much written about the imminent demise of the book, this essay has new insights, launching off with a colourful account of a bricks-and-mortar bookshop in a novel by Arnold Bennett: The essay is timely, appearing after the recent death of George Whitman of Shakespeare and Company, that warren of books on the banks of the Seine.
Indyk is a skilled essayist, moving smoothly from the personal to the general, from literary allusion to his own library, from history to current issues, never losing sight of his reader and her needs. Juliana Engberg continues the theme of political correctness and its effect on freedom of expression in her light-hearted satirical account of censorship, using the Sistine Chapel as a case study.
The peppering of poems between essays gives a welcome change of pace. Fine lyrical pieces by Nathan Curnow and Mark Tredinnick bookend the anthology, and Adrian Wiggins boldly and playfully brings the sonnet into the twenty-first century.
The memoir section begins with a refreshing voice. This excellent memoir is a compassionate look at the compromises and conflicts of modern life, as well as an ode to the Ring Road and its democratic nature, where we all have to wait. It would have benefitted from a link to his Australian experience, not just a rather laboured reference to the Yarra.
And an editorial note would have helped give the piece some context. Arriving, after reading so much non-fiction, at the final section of the journal devoted to fiction, it becomes apparent how persuasive fiction can be.
With no need to argue a case, fiction writers can present us with all the facets of human experience and help us learn from our own. If I have singled out literary rather than cultural items for praise, it is not just personal preference or that I value style over content.
Neither is it a question of dumbing down. It is not enough to lighten up an essay with a personal anecdote at the beginning.Reading Lolita in Tehran by Azar Nafisi is very symbolic of the women in Iran, as the ideas of resisting to accept the government, finding a sense of belonging and wanting to live in a fantasy world illustrates their thoughts during a very rough period of time.
Essay on Love in Lolita Some critics read Vladimir Nabokov's Lolita as a story of Humbert's unrequited love for the title character; others consider it a record of the rant-ings of a mad pedophile, with, as Humbert himself admits, "a fancy prose style.".
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which was the unnamed play seen in Wace by Humbert Humbert and Lolita. For ten points, name this character who is murdered by Humbert later in the novel Lolita.
Essay collections include The Message in the Bottle and Lost. Enter your email address to subscribe to this blog and receive notifications of new posts by email.
Oct 27, · Vacation Dreaming When I was very young, the word vacation meant two things.
AN ESSAY IN FORTY QUESTIONS (nonfiction) Feynman, Richard P. THE PLEASURE OF FINDING THINGS OUT: THE BEST SHORT WORKS OF RICHARD P. FEYNMAN, ed. by Jeffrey Robbins (nonfiction) Hernandez, Lolita. MAKING CALLALOO IN DETROIT (fiction) Lenzo, Lisa. Jennifer Green-Lewis is the author of Framing the Victorians: Photography and the Culture of Realism (), and of numerous articles on Victorian literature and culture.
She is Associate Professor of English at The George Washington University.